Barton had worked as a printer’s apprentice as a boy, but it was not until he met Henry Evans that the artist began to produce his own prints. Using linoleum blocks that Evans provided, Barton cut prints in a linear style similar to that of his drawings. The plates in this portfolio, printed by hand at Evans’s Peregrine Press, portray a range of rooms, from the spare interior at left, in which Barton’s feet are visible, to the more sumptuously decorated space at right.