2019–2020

February 14 through October 4, 2020

Famine and flight, emigration and immigration, foreignness: these are some of the societal issues touched upon by the anonymous author of the Bible’s Book of Ruth, whose titular character was a great-grandmother of King David and, in the Christian tradition, an ancestor of Jesus Christ.

January 22 through September 27, 2020

The Morgan’s collection of autograph manuscripts by Beethoven will be on display as part of Beethoven 250.

August 27, 2019 through September 27, 2020

This installation features a selection of oil sketches which, despite their small size, achieve such grand effect, creating the impression that the viewer is granted direct access to the artist’s entire field of vision.

February 21 through September 13, 2020

Active in New York in the 1980s and 1990s as a sculptor and draftsman, Al Taylor (1948–1999) found inspiration for his lyrical and witty compositions in banal objects and everyday situations.

January 31 through September 13, 2020

Some sixty of Lequeu’s several hundred drawings will be on view in Jean‐Jacques Lequeu: Visionary Architect, the first museum retrospective to bring significant public and scholarly attention to one of the most imaginative architects of the Enlightenment.

January 24 through August 16, 2020

The subversive works and personality of the French writer Alfred Jarry (1873–1907) played a crucial role in the transition from the nineteenth-century avant-garde to the emergent modernist movements of the early twentieth century.

October 25, 2019 through February 2, 2020

Illusions of the Photographer combines a full career retrospective—the first on Michals to be organized by a New York City museum—with an artist’s-choice show, as Michals plumbs the Morgan’s vaults for treasures both revered and long-forgotten.

October 4, 2019 through February 2, 2020

Guercino: Virtuoso Draftsman continues a series of exhibitions focused on highlights from the Morgan’s collection.

October 8, 2019 through January 19, 2020

The career of English caricaturist James Gillray (1756–1815) spanned from the late eighteenth century to the first decade of the nineteenth century.

July 2, 2019, through January 19, 2020

This New Yorker bouquet is drawn from the extraordinary collection of over 1300 drawings for the magazine assembled by Melvin R. Seiden.