A Social Medium: Collaboration in Photography

Tuesday, October 1, 2024 through February, 2025

One camera, one viewfinder: photography is often understood as a solitary practice. Throughout the medium’s history, however, artists have challenged the notion of one-person authorship. These photographs from the Morgan’s collection emerged from distinct forms of collaborative production, and each one of them encourages us to reconsider the common assumption that photographs reflect a single moment captured by an individual.

Photographers have taken many approaches to working cooperatively, such as forming collectives, partnering with illustrators, documenting others’ performance-based art, or collaging photographic fragments to create new images. Ultimately, collaboration is a foundational component of nearly all photography: the labor of multiple people is almost always required to capture, print, and circulate camera images. By decentering individual authorship and instead considering photography as a social medium, these artists fundamentally expand our understanding of the diverse processes by which photographs can be made.

Louis Faurer (1916–2001), Woman in Bath, 1949, Gelatin silver print. Purchased on the Charina Endowment Fund. 2018.55

Exhibition location: 

Lower Level