This drawing points to an affinity with the early work of Andy Warhol. Barton addressed some of the same subjects that Warhol did—notably, beautiful youths and flowers—in a similarly delicate linear style. It is conceivable that Barton was familiar with Warhol’s early drawings, which were exhibited in New York and circulated— though not widely—through self-published books in the early 1950s, before Barton moved to the Bay Area.