Lequeu tested the limits of architectural symbolism in these two designs where form follows function. The barn below is in the shape of a cow draped in a gold- and silver-studded Indian blanket. Its monumentalism and exotic connotations evoke the colossal plaster-and- wood elephant erected in the Place de la Bastille in Paris in 1813. The upper design depicts an entrance to a princely hunting reserve decorated with the heads of wild boar, deer, and hounds. It was intended to be sculpted in “pork stone,” a mix of limestone and sulfur that, according to the artist, diffused “an odor of cat urine . . . [or] rotten egg.”