Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Giacomo Torelli (1608–1678). Scene e machine preparate alle Nozze di Teti, Balletto Reale [Paris: s.n., 1654]. Bound with: Giulio Strozzi (1583–1652). Feste theatrali per la finta pazza[Paris: s.n., 1645]. PML 195035. Purchased on the Gordon N. Ray Fund, 2008.
While cataloging the latest gifts to the Carter Burden Collection of American Literature, we noticed and admired the prepublication hoopla for Go Set a Watchman, an earlier version of Harper Lee’s Civil Rights Era classic To Kill a Mockingbird.
Felix Jean Gauchard (1825–1872) after Gustave Doré (1832–1883). Rejected woodblock for the headpiece, “Comment Gargantua nasquit en façon bien estrange,” chapter six in François Rabelais, Oeuvres(Paris: Garnier Frères, 1873). Purchased on the Gordon N. Ray Fund, 2011.
Homer. L’Iliade, traduction nouvelle [par Charles-François Lebrun, duc de Plaisance]. A Paris: Chez Barbou, Moutard, Ruault, 1776. Purchased on the Gordon N. Ray Fund, 2011.
This is the rare first edition of an illustrated treatise on the Shroud of Turin, written 15 years after its translation from Chambéry, France to Turin, Italy.
Jean Chenel, sieur de La Chappronnaye (fl. 1614-1617). Les revelations de l’hermite solitaire sur l’estat de la France. Paris: Toussaincts du Braÿ, 1617. Purchased on the Gordon N. Ray Fund, 2011.
Jean-Baptiste-Marie Pierre
(French, Paris 1714–1789 Paris)
Le Misanthrope
Pen and black ink, brush and gray wash, over black chalk, heightened with white gouache, on blue paper
8 3/4 x 11 inches (220 x 280 mm)
(American, born in Cincinnati, Ohio, 1935)
The Glyptotek Drawings, 1987–88.
Charcoal on Mylar. 17 3/4 x 15 1/2 inches (45 x 39.4 cm)
Promised gift of the artist to The Morgan Library & Museum.
On December 21, 2021, the Department of Medieval and Renaissance Manuscripts received an exciting gift from Marguerite Steed Hoffman, member of the department’s Visiting Committee. It is a Book of Hours illuminated by an important fifteenth-century French artist—the Master of the Burgundian Prelates—whose work, prior to this donation, was not represented at the Morgan.
During the 2021 winter holiday season, the Morgan received as a gift Rondo, a group of twenty-four collages by feminist-art pioneer Miriam Schapiro (American, born in Canada, 1923–2015). The donors, Peter and Kirsten Bedford, commissioned them in 1988 for a series of clothbound artists’ books published under their San Francisco imprint, Bedford Arts.
