To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950). Widely recognized as an authority on illuminated manuscripts and deeply respected as a cultural heritage executive, Greene was one of the most prominent librarians in American history.
She was the daughter of Genevieve Ida Fleet Greener (1849–1941) and Richard T. Greener (1844–1922), the first Black graduate of Harvard College, and was at birth known by a different name: Belle Marion Greener. After her parents separated in the 1890s, her mother changed the family surname to Greene, Belle and her brother adopted variations of the middle name da Costa, and the family began to pass as white in a racist and segregated America.
Greene is well known for the instrumental role she played in building the exceptional collection of rare books and manuscripts formed by American financier J. Pierpont Morgan, who hired her as his personal librarian in 1905. After Morgan's death in 1913, Greene continued as the librarian of his son and heir, J.P. Morgan Jr., who would transform his father's Library into a public institution in 1924. But her career as director of what was then known as the Pierpont Morgan Library―a leadership role she held for twenty-four years―is less well understood, as are aspects of her education, private collecting, and dense social and professional networks.
The exhibition traces Greene’s storied life, from her roots in a predominantly Black community in Washington, D.C., to her distinguished career at the helm of one of the world’s great research libraries. Through extraordinary objects―from medieval manuscripts and rare printed books to archival records and portraits―the exhibition demonstrates the confidence and savvy Greene brought to her roles as librarian, scholar, curator, and cultural executive, and honor her enduring legacy.
Education
Belle da Costa Greene: A Librarian’s Legacy Online Teacher Curriculum is designed for teachers of middle and high school students. Featuring a selection of objects from the exhibition Belle da Costa Greene: A Librarian's Legacy, the focus of this guide is to support teachers in using primary sources and artwork in the classroom.
Publication:
This exhibition is organized by Philip Palmer, Robert H. Taylor Curator and Department Head of Literary and Historical Manuscripts, and Erica Ciallela, Exhibition Project Curator.
Belle da Costa Greene: A Librarian’s Legacy is made possible by lead support from Agnes Gund. Major support is provided by the Ford Foundation; Mr. and Mrs. Benjamin M. Rosen; Katharine J. Rayner; Denise Littlefield Sobel; the Lucy Ricciardi Family Exhibition Fund; Desiree and Olivier Berggruen; Gregory Annenberg Weingarten, GRoW @ Annenberg; and by a grant from the National Endowment for the Humanities: Democracy demands wisdom. Assistance is provided by the Franklin Jasper Walls Lecture Fund, the Friends of Princeton University Library, Elizabeth A.R. and Ralph S. Brown, Jr., and the Cowles Charitable Trust.
Any views, findings, conclusions or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.
Clarence H. White (1871–1925), Belle da Costa Greene, 1911. Biblioteca Berenson, I Tatti, The Harvard University Center for Italian Renaissance Studies.
