Blog

Aelius Donatus. Ars minor. Mainz: Johann Schöffer, ca. 1517-1518. Purchased on the Henry S. Morgan Fund, 2010.

Bartolomeo Pinelli (1781-1835). Album of thirty-seven Italian genre scenes assembled by or for Eugène de Bourbon-Busset, consisting of hand-colored etchings, mostly by Bartolomeo Pinelli, but also by Gaetano Cottafavi and Filippo Ferrari. [Rome: n.p., ca. 1809-1838]. Purchased as the gift of the Visiting Committee of the Department of Printed Books and Bindings in honor of Charles E. Pierce, Jr., and on the Gordon N. Ray Fund, 2008.

Robert Simson (1687-1768). Sectionum conicarum libri V. Edinburgh: T. & W. Ruddiman, 1735. Purchased as the gift of Rudy L. Ruggles, Jr., and on the Dannie and Hettie Heineman Fund, 2009.

Die Wiener Werkstätte, 1903-1928: Modernes Kunstgewerbe und sein Weg. Edited by Mathilde Flögl. Vienna: Krystall-Verlag, 1929. Purchased on the Gordon N. Ray Fund, 2009.

When so many men have kept personal records over so many years, why do so many of us persist in thinking of the diary as a women’s form? In today’s guest post, Rebecca Steinitz, author of a forthcoming book on the diary in the nineteenth century, challenges that popular assumption.

How did states cope with financial crisis before the birth of modern economic thought? England turned to Sir Isaac Newton when faced with such a quandary a little over 300 years ago.

Traditional diarists make choices about what bits of life to memorialize. But what if we could save life in its entirety? In today’s post, tech luminary and innovator Gordon Bell describes his efforts to do just that.

Napoleon and Josephine were married in March, 1796, just days before he departed to take charge of the French army in Italy. In love with his new wife, Napoleon sent her passionate letters and begged her to join him. Josephine, however, preferred to continue her fashionable life in Paris, and to this end she confided to Murat, Napoleon's confidante, that she was pregnant.

When psychiatrists, Marxists, anarchists, and politicos converged on London in 1967 for the Congress of the Dialectics of Liberation, the young Iain Sinclair was there with camera in hand. He and a friend tracked down Allen Ginsberg, counterculture superstar, and interviewed him for their film Ah! Sunflower. In today's guest post, Sinclair describes how he created Kodak Mantra Diaries, a self-published account of that exhilarating summer, combining photographs, personal notes, and reportage into a sort of retrospective diary. A copy is on view in The Diary: Three Centuries of Private Lives.

We all know that a diary is a private notebook where we write about our days and our thoughts. But is it?

In today's post, curator Christine Nelson introduces a new blog to accompany the Morgan's exhibition The Diary: Three Centuries of Private Lives, opening on January 21.