This collage is part of a group that was commissioned in 1975 by author and activist Ishmael Reed to illustrate his book of poems, A Secretary to the Spirits (NOK Publishers, 1978). Saar's layered approach echoes Reed's poetry, which combines references to the ancient and the contemporary, the spiritual and the mundane. The collages incorporate a range of images: Uncle Ben represents the commoditization and mainstreaming of derogatory representations of African-Americans; colorful fabrics reflect Saar's lifelong habit of saving fabric scraps (her mother was a seamstress); and rubber stamps and collages of stars, moons, and palmistry charts point to her interest in mysticism. The stamps of a musician along the bottom edge of this work are taken from a brand of cigarette wrappers called Blanco y Negro.