This landscape was drawn in the last year of Harpignies' long career: he continued working until his death at age 98. After his death, a caricature in a popular journal depicted him as the “eternal painter” sitting on a stool in the studio with an umbrella and paint kit depicting a plant with a single stem as a tree. That he continued to adhere to working en plein air for so long and was an intimate of Corot meant he was both a revered artist and someone whose work was seen as a relic of the past century. Worked in wash, without a graphite sketch, this sheet continues the same practice found in his gray wash drawings of the preceding decade. The dissolution of form into a series of broken strokes reflects both issues of dexterity and an awareness of new modes of using watercolor in the wake of Cezanne's success.
Signed and dated "1915".
Thayer, John M. (John MacLane), 1944-2004, former owner.