Pieter Jansz Quast

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Pieter Jansz Quast
1605-1647
The Mocking of the Spaniard
1642
Black chalk with gray wash on parchment
8 3/4 x 11 13/16 inches (224 x 301 mm)
Partial gift of the Baymeath Art Trust and partial purchase on the Charles Ryskamp Fund.
2015.120
Notes: 

Pieter Quast offered a humorous, caricatural view of contemporary Dutch life. His works are populated with stock figures such as beggars, drinkers, quack doctors, dwarves, and the like, all readily recognizable to Quast's audience. Some of Quast's works not only derive from theatrical types, however, but are even based on actual theatrical productions. These include the present work, one of a group by Quast that seemingly reflect performances of "The Spanish Brabanter" by Gerbrand Adriaensz Bredero. Originally performed in 1617, the play remained popular through the seventeenth century. The drama consists of a series of picaresque episodes involving the fantasist Jerolimo, the eponymous “Brabanter,” from the Brabant province in the Southern Netherlands. He has fled his debts in Antwerp and arrived in Amsterdam, where he pretends to be a rich man, adopting the elaborate costume of the Spanish, albeit a version that was long out of date, complete with the enormous millstone ruff. He repeatedly encounters commonfolk who see through his pompous disguise. Jerolimo's Spanish costume and braggadocio clearly derive from the stock commedia dell'arte character of the Capitano. The play remained popular, however, not only for its amusing mockery of human nature, but also because of the prevailing sentiment against the Spanish (and against immigrants from the Spanish Southern Netherlands) during the Eighty Years' War: Jerolimo could stand in for both.

Inscription: 

Signed and dated at lower right, black ink "PQuast 1642" (PQ in monogram).

Provenance: 
Lionel Lucas (1822-1862), London (L. 1733a); Charles Lucas; his sale, Christie's, London, 9 December 1949, part of lot 59 (55 gns. to Eisemann); with P&D Colnaghi & Co., London, 1950 (Old Master Drawings, no. 83); Christie's, Amsterdam, 18 November 1985, lot 72; Sotheby's, New York, 14 January 1992, lot 136; Sotheby's, London, 9 July 2015, lot 89; where acquired by the Baymeath Art Trust and the Morgan.
Associated names: 

Lucas, Lionel, 1822-1982, former owner.
Lucas, Charles, former owner.

Bibliography: 

B.A. Stanton-Hirst, "Pieter Quast and the Theatre," Oud Holland, 96 (1982), p. 232, note 27

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