Géricault's curiosity about people of diverse geographical origins is reflected in his embrace of Mustapha Sussen, likely a Tunisian Arab (although often described as a Turkish sailor) who Gericault encountered on the streets of Paris. He was purportedly part of a group of shipwreck victims. Gericault hired him as his manservant in 1817. The demand for Arab models in Paris meant that Mustapha was depicted by Anne-Louis Girodet, Carle Vernet, and Gericault in 1818-19. He remained in Gericault's household until around 1821 and later established a Turkish-style confectionary business in Paris. While in the artist's household, Mustapha sat for several drawings, most notably a watercolor now in the Louvre (RF 31700) and a painted portrait (Musée des beaux-arts et archéologie, Besançon, 886.3.4) in traditional dress.
This full-length depiction of Mustapha was part of a group of costumed studies owned by the artist's friend, the German-born painter Louis-Auguste de Schwiter (1805-1889), who would soon befriend and be portrayed by Delacroix in 1826.
Schwiter, Baron de, former owner.
Chéramy, Paul Arthur, former owner.
Stroelin, A., former owner.
Dubaut, Pierre, former owner.
Goetz, Walter, 1867-1958, former owner.
Thaw, Eugene Victor, former owner.
Thaw, Clare, former owner.
The Morgan Library & Museum, New York, NY, "Drawn to Greatness: Master Drawings from the Thaw Collection", 2017. Exh. cat., no. 148, repr.
Stampfle, Felice, and Cara D. Denison. Drawings from the Collection of Mr. and Mrs. Eugene V. Thaw. New York : Pierpont Morgan Library, 1975, no. 72 (also in Thaw III, no. 69)
Denison, Cara D. et al. The Thaw Collection : Master Drawings and New Acquisitions. New York : Pierpont Morgan Library, 1994, no. 69.