According to Oenslager (Oenslager 1984, 39), the attribution of this drawing is by comparison with similar--if less finished--drawings in the sketchbook in the Vienna Kunstbibliothek with drawings by Giuseppe Galli Bibiena. Oenslager proposed that this large capriccio was perhaps not intended as a stage scene, but rather an independent drawing exercise.
Mayr, Michael, 1796-1870, former owner.
Fájt, Marianne, -approximately 1955, former owner.
Scholz, János, former owner.
Oenslager, Donald, 1902-1975, former owner.
Scholz, Janos, with an introduction by A. Hyatt Mayor. Baroque and Romantic Stage Design. New York : E.P. Dutton, 1962, pl. 32.