William Hogarth

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William Hogarth
1697-1764
Beer Street
1750-1751
Red chalk, graphite and pen and black ink, on paper; incised with stylus; verso rubbed with red chalk.
14 5/8 x 12 inches (371 x 305 mm)
Purchased by Pierpont Morgan (1837-1913) in 1909.
III, 37
Notes: 

Preparatory drawing for the engraving "Beer Street."
Hogarth's paean to the invigorating benefits of English-brewed beer - in contrast to the devastating effects of gin, with its high alcohol content - features a cobbler and a pair of fishwives along with a group of laborers outside a tavern. The workmen smoke pipes and read the newspaper, while a sign painter plies his trade with a smile. In the background, a city square is under construction, and a group of roofers raise their hats as they drink a salute to the king. The pawnbroker is a recluse in this scene, his shop having fallen into disrepair for lack of business. A curious detail can be found at center: at the upper right of a sedan chair drawn in graphite is a waving hand. Hogarth had revised the composition on a separate piece of paper that is now lost. This change is evident in the first published state of the print. The hand belongs to a Frenchman who is being hoisted single-handed by a beer-drinking butcher. In the third and most common state of the print, Hogarth changed this group further, introducing an amorous man with his arm around a woman, making the scene bawdier than in the drawing. -- See also the record for the pendant drawing Gin Street (or Gin Lane, III, 36).

Inscription: 

Watermark: Fleur-de-lis.
Watermark: Countermark: Letters "IV".

Provenance: 
Artist's studio, presumably until 1764, and then by descent to his widow, Jane (Thornhill) Hogarth (1709-1789?), London; Dr. Rev. Michael Lort (1724/25-1790), Oxford and London; his sale, Leigh and Sotheby, London, 2 June 1791, lot 69, for 84..-..-; London art market [?]; Dr. Jaspar Robert Joly (1819-1892), Clonbullogue, near Dublin, possibly after 1863; his sale, Sotheby's, London, 18-19 February 1892, in a lot containing 25 volumes with 158 drawings and 6,097 prints bought by Bernard Quaritch, London; Charles Fairfax Murray (1849-1919), London and Florence; from whom purchased through Galerie Alexandre Imbert, Rome, in 1909 by Pierpont Morgan (1837-1913), New York (no mark; see Lugt 1509); his son, J.P. Morgan, Jr. (1867-1943), New York.
Watermark: 
Associated names: 

Hogarth, Jane, 1711?-1789, former owner.
Lort, Michael, 1725-1790, former owner.
Joly, J. R. (Jasper Robert), former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Morgan, J. P. (John Pierpont), 1867-1943, former owner.

Bibliography: 

Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, III, 37.
Wiles, Stephanie. To Observe and Imagine : British Drawings, 1600-1900. New York : Pierpont Morgan Library, 1998, no. 17.

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