Around the mid-1770s, the rolling topography of the natural setting, the gothicizing trees, and the shadowy atmospheres that characterized Gainsborough's earliest compositions gave way to wide clearings bathed in a Mediterranean brightness, inspired by the masterful Italianate landscapes of Claude Lorrain (1604/5-1682) and Gaspard Dughet (1615-1675). It was at this time that Gainsborough also tended to greater technical experimentation. By mixing different media and applying a thick coat of varnish to the surface of the finished sheet, he produced landscapes that mimicked the visual effects of oil paintings. -- Exhibition Label, from "Thomas Gainsborough: Experiments in Drawings."
Stamped in gold with monogram at lower left, "TG".
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Bolzoni, Marco S. Thomas Gainsborough : Experiments in Drawings. New York : The Morgan Library & Museum, 2018, p. 57, no. 6, repr.
Collection J. Pierpont Morgan : Drawings by the Old Masters Formed by C. Fairfax Murray. London : Privately printed, 1905-1912, III, 55.