Claude produced this study for a seemingly minor background detail: a temple with four corinthian columns, four pilasters, and a ruined pediment, set in a hilly landscape. The temple appears at far left in Claude's painting Mercury and Battus, commissioned by a patron from Antwerp (who has yet to be identified) in 1663 (Dukes of Devonshire, Chatsworth). Roethlisberger noted its close correspondence with the painting, citing only the slightly lower placement of the trees at right in the drawing. He concluded it is likely a study for, and not after, the painting. The temple also appears less precisely drawn in a rich, monochromatic study for the painting (Louvre, Paris; RF4590). The painting is recorded in Claude's Liber Veritatis (British Museum, London).
Inscribed in pen and brown ink at lower right of old mount, "J: B."; on verso of old mount in pen and brown ink, "J:B No 337./12 by 8."; in different pen and brown ink, "P. No 18"
Pond, Arthur, 1701-1758, former owner.
Barnard, John, d. 1784, former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.
Roethlisberger, Marcel. Claude Lorrain. The Drawings, 1968, no. 894.