MS M.917/945, ff. 117v–118r

Apostles and Prophets before the Throne of God

The Netherlands, Utrecht
ca. 1440
7 1/2 x 5 1/8 inches (192 x 130 mm)

Purchased on the Belle da Costa Greene Fund with the assistance of the Fellows and with special assistance of Mrs. Frederick B. Adams, Sr., Mrs. Robert Charles, Mr. Laurens M. Hamilton, The Heineman Foundation, Mrs. Donald F. Hyde, Mrs. Jacob M. Kaplan, Mrs. John Kean, Mr. Paul Mellon, Mr. and Mrs. Charles F. Morgan, Mr. Lessing J. Rosenwald, Mr. and Mrs. August H. Schilling, Mrs. Herbert N. Straus, Mrs. Landon K. Thorne, Mrs. Alan Valentine, Mr. and Mrs. Arnold Whitridge, and Miss Julia P. Wightman, 1970

MS M.917/945, ff. 117v–118r
Description: 

The small miniatures for the Hours of All Saints group the elect according to Church hierarchy. This image for Terce includes the apostles on the left—barefooted, bareheaded, and simply dressed. On the right are the prophets—shod and somewhat exotically garbed. Identifying each group are scrolls with texts from the Te Deum, the hymn of praise that the angels sing in the Lauds miniature from the Hours of the Virgin. God's scroll proclaims, "I am the alpha and omega, God and man."

Hours and Masses for the Seven Days of the Week

The most unusual texts in Catherine's manuscript are the series of Hours and Masses for every day of the week. Medieval Christian tradition associated certain figures or themes with different days. Thus Sunday, the day of the Resurrection, was the Lord's Day; Thursday was connected with the Eucharist since that sacrament was instituted on Holy Thursday; and Monday was the day of the dead, since their torments were suspended on Sunday but recommenced the following day. In Catherine's prayer book, the themes for the Hours and Masses of the seven days of the week are:

Sunday the Trinity
Monday the Dead
Tuesday the Holy Spirit
Wednesday All Saints
Thursday the Blessed Sacrament
Friday the Compassion of God
Saturday the Virgin.
Credits: 

Image courtesy of Faksimile Verlag Luzern