Sources

Brotherton, Barbara, Christy Christodoulides, and Lydia Sigo. Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson. Seattle: Seattle Art Museum, 2018.

Coleman, David. “The River and the Pool: Alternate Views of The North American Indian and Edward Sheriff Curtis’ Lantern Slides at the Pierpont Morgan Library.” M.A. thesis, Hunter College of the City University of New York, 1993.

Egan, Shannon. “‘Yet in a Primitive Condition’: Edward S. Curtis’s North American Indian,” American Art, Vol. 20, No. 3 (Fall 2006), 58-83.

Egan, Timothy. Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis. Boston: Houghton Mifflin Harcourt, 2012.

Evans, Brad, Aaron Glass. Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka'wakw, and the Making of Modern Cinema. Seattle: University of Washington Press, 2014.

Gidley, Mick. Edward S. Curtis and the North American Indian, Incorporated. Cambridge: Cambridge University Press, 1993.

Gidley, Mick. Edward S. Curtis and the North American Indian Project in the Field. University of Nebraska Press, 2003.

Lyman, Christopher M., Vine Deloria, and Edward Sheriff Curtis. The Vanishing Race and Other Illusions. Washington, D.C.: Smithsonian Institution Press, 1982.

Vizenor, Gerald. “Edward Curtis: Pictorialist and Ethnographic Adventurist.” In True West: Authenticity and the American West, edited William R. Handley and Nathaniel Lewis. Lincoln: University of Nebraska Press, 2004.

Zamir, Shamoon, Alexander B. Upshaw, and Edward S. Curtis. “Native Agency and the Making of ‘The North American Indian’: Alexander B. Upshaw and Edward S. Curtis.” American Indian Quarterly 31, no. 4 (2007): 613-53.

Zamir, Shamoon. The Gift of the Face: Portraiture and Time in Edward S. Curtis's “The North American Indian.” Chapel Hill: The University of North Carolina Press, 2014.