"The figure of a woman lifting the ends of her veil and displaying her nudity, as found in 937-944, is differentiated from the earlier Syrian and Cappadocian representations of a nude female by a more rounded form and a more elaborate coiffure. The hair is bound up in the back, but otherwise it resembles the ornate coiffure of the goddess in an ivory relief from Ras Shamra that reflects the feminine fashion prevailing in the Levant and in the Aegean regions around the middle of the second millennium. A dating at about this time is likewise suggested by the vase held by the enthroned figure in 937, since it corresponds in shape with a Mycenean gold cup dated in the second half of the sixteenth century B.C. ... The divine character of the figure is especially clear in 942-944, in which she is shown standing upon a bull."--Porada, CANES, p. 124
Two manikins, each on one knee, at either side of nude goddess with opened veil, standing on kneeling bull, sitting lion pawing at second manikin -- In upper field, two birds; two hares.