"The seals reflecting the transition from Early Dynastic to Akkad style still utilize the Early Dynastic group showing a hero in the center protecting ruminants against attacking lions. The characterizing feature of these cylinders appears in the postures of the animals, which have been aptly described by Moortgat as producing violent zigzag lines. Sometimes, as in 137 and 138, the second lion is omitted. When the symmetry of the scheme is thus broken, the tendency of the Akkad artists toward realism comes to expression." Porada, CANES, p. 20
Lion attacking one of two antelopes grasped by flat-capped hero.