From Carroll’s armored creature to Tenniel’s perfect pun
Carroll’s earliest sketches (above) of the Mock Turtle show a creature with faceted armature that looks very little like a turtle. His depiction of the Gryphon is likely based on a finished drawing by his brother, Wilfred (below).
For his final drawings in the manuscript, Carroll refined his depiction of the Mock Turtle and gave him the furry head of a calf, picking up on his own pun about mock turtle soup.
Carroll typically used pencil for his earliest sketches; this later pen-and-ink drawing shows his most refined depiction of the Mock Turtle. Captioned “On the lone sea-shore” it does not depict a specific scene in the manuscript but may have been intended as a gift.
The Mock Turtle sobs constantly throughout his story (indeed, it has trouble pausing its weeping long enough to begin). Tenniel follows the text, and shows large tears streaming down the character’s face.
Image credit:
Lewis Carroll (1832—1898)
John Tenniel (1820—1914), illustrator
Alice’s Adventures in Wonderland
London: Macmillan, 1865
The Pierpont Morgan Library, New York. PML 352027.
Photography by Graham S. Haber 2014.
In the color-printed version, the Mock Turtle’s companion the Gryphon becomes vibrantly red and green, a detail not described in the text.
Image credit:
John Tenniel (1820—1914)
Gryphon and Mock Turtle Dance Round Alice
Hand-colored proof, 1885
The Pierpont Morgan Library, New York. Gift of Arthur A. Houghton, Jr., 1987, 2005.202.
Photography by Steven H. Crossot, 2014.
Tenniel regularly mined his own work for parody in the pages of Punch. In this cartoon, Alice becomes the conservative politician Arthur Balfour bumbling through a reading of the London Government Bill. Alice retains her own features here, but in the published version, her face becomes lined, and she squints at the paper through a pair of pince-nez.