The First Book of Urizen

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 2

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 7

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 3

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 8

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 4

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 9

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 10

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 5

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 11

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 6

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 12

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 13

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 14

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 15

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 16

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

 

The First Book of Urizen 17

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 18

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 19

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 20

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 21

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 22

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 23

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 24

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 25

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 26

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 27

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.

The First Book of Urizen 28

William Blake
(1757–1827)

The First Book of Urizen

Lambeth: Printed by William Blake, 1794
Copy B

Gift of Mrs. Landon K. Thorne, 1972

PML 63139
Item description: 

The First Book of Urizen, The Book of Los, and The Book of Ahania constitute an unorthodox rewriting of the Pentateuch. This mythic transformation of the Jewish and Christian Scriptures offers many perspectives, but to highlight the biblical relationships, Blake designed the leaves to contain two columns of text. The work exemplifies his own radical spirit. A total of eight copies exist; this copy is one of only two containing the complete series of twenty-eight plates.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.