Unknown photographer
Nora Barnacle, ca. 1915–1920
Gelatin silver print
Courtesy of the Poetry Collection of the University Libraries, University at Buffalo, the State University of New York
The relationship between James Joyce and Nora Barnacle is a great romance. Nora was born in Galway in the west of Ireland in 1884. One day, on the 10th of June 1904, she bumped into James Joyce on a street in Dublin. They looked at one another, they spoke, and they arranged to meet four days later, outside the childhood home of the writer Oscar Wilde in Merrion Square in Dublin. But Nora did not turn up, so Joyce left her a note at the rooming house where she worked, Finn's Hotel, and he met again on the sixteenth of June, the date on which Ulysses is set. And later, James Joyce would tell his lifetime companion, “You made me a man.”
Joyce and Nora Barnacle left Ireland together in 1904. They had two children, Georgio in 1905 and Lucia in 1907. Though the couple described themselves as husband and wife, in fact, they did not marry until 1931. Joyce used Nora's personality, indeed, and her background in the west of Ireland for the character of Greta Conroy in his story The Dead. But I think perhaps, more importantly, he incorporated her frankness, her sensuality, and indeed, some of her ways of speaking and writing into the figure of Molly Bloom in Ulysses. Nora barnacle died in Zurich in 1951.
Joyce sought to explore every area of human activity in Ulysses. The reader is privy to Leopold Bloom’s thoughts as his mind wanders from subject to subject—and as he masturbates and even farts. Joyce was brought up in a society that was predominantly Catholic and, in its attitudes toward sex, fiercely Victorian and prudish. To write graphically about sex was to break a great taboo, and it was Ulysses’ sexual content that caused the book to be banned in the United States and United Kingdom. In a letter on view to Nora Barnacle, we see Joyce, open about his desires, as daring in his private correspondence as he is in his art.
Frank Budgen (1882–1971)
Portrait of Nora Barnacle, ca. 1919
Oil on board
Courtesy of the Poetry Collection of the University Libraries, University at Buffalo, the State University of New York
Unknown photographer
James, Giorgio, Lucia, and Nora Barnacle Joyce, 1924
Gelatin silver print
Courtesy of the Poetry Collection of the University Libraries, University at Buffalo, the State University of New York
Unknown photographer
Nora Barnacle and James Joyce on their way to be married, with Fred Monro, 1931
Gelatin silver print
Courtesy of the Poetry Collection of the University Libraries, University at Buffalo, the State University of New York