Prior to the Images of Death, Holbein designed a Latin alphabet for Lützelburger that showcased the latter’s dexterity at woodcutting. The minuscule compositions expertly render action, emotion, and three-dimensionality—qualities that the other blockcutters who worked with Holbein could not as effectively achieve. The capital letters were intended to be used in a printed book to begin a paragraph or section of text (what is often called a “drop cap” today). This print was produced as an advertisement for Lützelburger, however, and the letters themselves appeared only in a few books published in Basel during the 1520s and ’30s.