Letter 2, page 1

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Vincent van Gogh, letter to Émile Bernard, Arles, 18 March 1888, Letter 2, page 1

Drawbridge with walking couple

Pen and brown/black ink on one sheet of cream, machine-made laid paper

Thaw Collection, given in honor of Charles E. Pierce, Jr., 2007

MA 6441.2
Translation: 

My dear Bernard,
Having promised to write to you, I want to begin by telling you that this part of the world seems to
me as beautiful as Japan for the limpidity of the atmosphere and the gay color effects. The stretches
of water make patches of a beautiful emerald and a rich blue in the landscapes, as we see it in the
Japanese prints. Pale orange sunsets making the fields look blue—glorious yellow suns. So far,
however, I've hardly seen this part of the world in its usual summer splendor. The women's costume
is pretty, and especially on the boulevard on Sunday you see some very naive and well-chosen
arrangements of color. And that, too, will doubtless get even livelier in summer.

© 2007 Van Gogh Museum, Amsterdam

Letter 2, page 2

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Vincent van Gogh, letter to Émile Bernard, Arles, 18 March 1888, Letter 2, page 2

Pen and brown/black ink on one sheet of cream, machine-made laid paper

Thaw Collection, given in honor of Charles E. Pierce, Jr., 2007

MA 6441.2
Translation: 

I regret that living here isn't as cheap as I'd hoped, and until now I haven't found a way of getting
by as easily as one could in Pont-Aven. I started out paying 5 francs and now I'm on 4 francs
a day. One would need to know the local patois, and know how to eat bouillabaisse and aioli, then
one would surely find an inexpensive family boardinghouse. Then if there were several of us, I'm
inclined to believe we would get more favorable terms. Perhaps there would be a real advantage in
emigrating to the south for many artists in love with sunshine and color. The Japanese may not be
making progress in their country, but there is no doubt that their art is being carried on in France.
At the top of this letter I am sending you a little sketch of a study that is preoccupying me as to
how to make something of it—sailors coming back with their sweethearts toward the town, which
projects the strange silhouette of its drawbridge against a huge yellow sun.

I have another study of the same drawbridge with a group of washerwomen. Shall be happy to
have a line from you to know what you're doing and where you're going to go. A very warm handshake
to you and the friends.

Yours,
Vincent

© 2007 Van Gogh Museum, Amsterdam